Box 17
Container
Contains 71 Results:
Early History of Bay Area Textiles, 1992-1993
File — Box: 17, Folder: 1
Identifier: Series 2
Scope and Contents
From the Series:
This series contains files relating to the production of individual issues of the magazine and include release forms, drafts of articles, correspondence between the editorial staff and authors and artists, magazine layout and proofs, and a couple of published magazines. Of note are the files on "The Creative Process;" seven well-known fiber artists were each sent a box of the same materials and were asked to create a work of art using at least a third of the materials in the box. The...
Dates:
1992-1993
Lillian Elliott, 1992
File — Box: 17, Folder: 2
Identifier: Series 2
Scope and Contents
From the Series:
This series contains files relating to the production of individual issues of the magazine and include release forms, drafts of articles, correspondence between the editorial staff and authors and artists, magazine layout and proofs, and a couple of published magazines. Of note are the files on "The Creative Process;" seven well-known fiber artists were each sent a box of the same materials and were asked to create a work of art using at least a third of the materials in the box. The...
Dates:
1992
Distant Lives, feature article, 1992-1993
File — Box: 17, Folder: 3
Identifier: Series 2
Scope and Contents
From the Series:
This series contains files relating to the production of individual issues of the magazine and include release forms, drafts of articles, correspondence between the editorial staff and authors and artists, magazine layout and proofs, and a couple of published magazines. Of note are the files on "The Creative Process;" seven well-known fiber artists were each sent a box of the same materials and were asked to create a work of art using at least a third of the materials in the box. The...
Dates:
1992-1993
Gene Beugler: Oregon Master Lacemaker, 1992-1993
File — Box: 17, Folder: 4
Identifier: Series 2
Scope and Contents
From the Series:
This series contains files relating to the production of individual issues of the magazine and include release forms, drafts of articles, correspondence between the editorial staff and authors and artists, magazine layout and proofs, and a couple of published magazines. Of note are the files on "The Creative Process;" seven well-known fiber artists were each sent a box of the same materials and were asked to create a work of art using at least a third of the materials in the box. The...
Dates:
1992-1993
Tapestry Artists of Puget Sound, 1992
File — Box: 17, Folder: 5
Identifier: Series 2
Scope and Contents
From the Series:
This series contains files relating to the production of individual issues of the magazine and include release forms, drafts of articles, correspondence between the editorial staff and authors and artists, magazine layout and proofs, and a couple of published magazines. Of note are the files on "The Creative Process;" seven well-known fiber artists were each sent a box of the same materials and were asked to create a work of art using at least a third of the materials in the box. The...
Dates:
1992
Commentary, 1992-1993
File — Box: 17, Folder: 6
Identifier: Series 2
Scope and Contents
From the Series:
This series contains files relating to the production of individual issues of the magazine and include release forms, drafts of articles, correspondence between the editorial staff and authors and artists, magazine layout and proofs, and a couple of published magazines. Of note are the files on "The Creative Process;" seven well-known fiber artists were each sent a box of the same materials and were asked to create a work of art using at least a third of the materials in the box. The...
Dates:
1992-1993
Alternative Ways to Market Fiber Art, 1992
File — Box: 17, Folder: 7
Identifier: Series 2
Scope and Contents
From the Series:
This series contains files relating to the production of individual issues of the magazine and include release forms, drafts of articles, correspondence between the editorial staff and authors and artists, magazine layout and proofs, and a couple of published magazines. Of note are the files on "The Creative Process;" seven well-known fiber artists were each sent a box of the same materials and were asked to create a work of art using at least a third of the materials in the box. The...
Dates:
1992
Symposium in Israel, 1992-1993
File — Box: 17, Folder: 8
Identifier: Series 2
Scope and Contents
From the Series:
This series contains files relating to the production of individual issues of the magazine and include release forms, drafts of articles, correspondence between the editorial staff and authors and artists, magazine layout and proofs, and a couple of published magazines. Of note are the files on "The Creative Process;" seven well-known fiber artists were each sent a box of the same materials and were asked to create a work of art using at least a third of the materials in the box. The...
Dates:
1992-1993
F. Kunang Helmi-Picard, swatches, 1992-1993
File — Box: 17, Folder: 9
Identifier: Series 2
Scope and Contents
From the Series:
This series contains files relating to the production of individual issues of the magazine and include release forms, drafts of articles, correspondence between the editorial staff and authors and artists, magazine layout and proofs, and a couple of published magazines. Of note are the files on "The Creative Process;" seven well-known fiber artists were each sent a box of the same materials and were asked to create a work of art using at least a third of the materials in the box. The...
Dates:
1992-1993
Vanbianchi/Standley, gallery article, 1992
File — Box: 17, Folder: 10
Identifier: Series 2
Scope and Contents
From the Series:
This series contains files relating to the production of individual issues of the magazine and include release forms, drafts of articles, correspondence between the editorial staff and authors and artists, magazine layout and proofs, and a couple of published magazines. Of note are the files on "The Creative Process;" seven well-known fiber artists were each sent a box of the same materials and were asked to create a work of art using at least a third of the materials in the box. The...
Dates:
1992
Cranbrook reunion, swatches, 1992-1993
File — Box: 17, Folder: 11
Identifier: Series 2
Scope and Contents
From the Series:
This series contains files relating to the production of individual issues of the magazine and include release forms, drafts of articles, correspondence between the editorial staff and authors and artists, magazine layout and proofs, and a couple of published magazines. Of note are the files on "The Creative Process;" seven well-known fiber artists were each sent a box of the same materials and were asked to create a work of art using at least a third of the materials in the box. The...
Dates:
1992-1993
Mexican bed and breakfast, swatches, 1992-1993
File — Box: 17, Folder: 12
Identifier: Series 2
Scope and Contents
From the Series:
This series contains files relating to the production of individual issues of the magazine and include release forms, drafts of articles, correspondence between the editorial staff and authors and artists, magazine layout and proofs, and a couple of published magazines. Of note are the files on "The Creative Process;" seven well-known fiber artists were each sent a box of the same materials and were asked to create a work of art using at least a third of the materials in the box. The...
Dates:
1992-1993
Fiber in San Diego, swatches, 1992
File — Box: 17, Folder: 13
Identifier: Series 2
Scope and Contents
From the Series:
This series contains files relating to the production of individual issues of the magazine and include release forms, drafts of articles, correspondence between the editorial staff and authors and artists, magazine layout and proofs, and a couple of published magazines. Of note are the files on "The Creative Process;" seven well-known fiber artists were each sent a box of the same materials and were asked to create a work of art using at least a third of the materials in the box. The...
Dates:
1992
Barbara Shawcroft, 1991-1993
File — Box: 17, Folder: 14
Identifier: Series 2
Scope and Contents
From the Series:
This series contains files relating to the production of individual issues of the magazine and include release forms, drafts of articles, correspondence between the editorial staff and authors and artists, magazine layout and proofs, and a couple of published magazines. Of note are the files on "The Creative Process;" seven well-known fiber artists were each sent a box of the same materials and were asked to create a work of art using at least a third of the materials in the box. The...
Dates:
1991-1993
Oregon School of Arts and Crafts, swatches, 1992
File — Box: 17, Folder: 15
Identifier: Series 2
Scope and Contents
From the Series:
This series contains files relating to the production of individual issues of the magazine and include release forms, drafts of articles, correspondence between the editorial staff and authors and artists, magazine layout and proofs, and a couple of published magazines. Of note are the files on "The Creative Process;" seven well-known fiber artists were each sent a box of the same materials and were asked to create a work of art using at least a third of the materials in the box. The...
Dates:
1992
Ellen Phillips, gallery article, 1992-1993
File — Box: 17, Folder: 16
Identifier: Series 2
Scope and Contents
From the Series:
This series contains files relating to the production of individual issues of the magazine and include release forms, drafts of articles, correspondence between the editorial staff and authors and artists, magazine layout and proofs, and a couple of published magazines. Of note are the files on "The Creative Process;" seven well-known fiber artists were each sent a box of the same materials and were asked to create a work of art using at least a third of the materials in the box. The...
Dates:
1992-1993
Mary Brogger, gallery article, 1992-1993
File — Box: 17, Folder: 17
Identifier: Series 2
Scope and Contents
From the Series:
This series contains files relating to the production of individual issues of the magazine and include release forms, drafts of articles, correspondence between the editorial staff and authors and artists, magazine layout and proofs, and a couple of published magazines. Of note are the files on "The Creative Process;" seven well-known fiber artists were each sent a box of the same materials and were asked to create a work of art using at least a third of the materials in the box. The...
Dates:
1992-1993
Author agreements, 1990-1991
File — Box: 17, Folder: 18
Identifier: Series 2
Scope and Contents
From the Series:
This series contains files relating to the production of individual issues of the magazine and include release forms, drafts of articles, correspondence between the editorial staff and authors and artists, magazine layout and proofs, and a couple of published magazines. Of note are the files on "The Creative Process;" seven well-known fiber artists were each sent a box of the same materials and were asked to create a work of art using at least a third of the materials in the box. The...
Dates:
1990-1991
Captions, 1991-1992
File — Box: 17, Folder: 19
Identifier: Series 2
Scope and Contents
From the Series:
This series contains files relating to the production of individual issues of the magazine and include release forms, drafts of articles, correspondence between the editorial staff and authors and artists, magazine layout and proofs, and a couple of published magazines. Of note are the files on "The Creative Process;" seven well-known fiber artists were each sent a box of the same materials and were asked to create a work of art using at least a third of the materials in the box. The...
Dates:
1991-1992
Ann Hamilton, feature article, 1991
File — Box: 17, Folder: 20
Identifier: Series 2
Scope and Contents
From the Series:
This series contains files relating to the production of individual issues of the magazine and include release forms, drafts of articles, correspondence between the editorial staff and authors and artists, magazine layout and proofs, and a couple of published magazines. Of note are the files on "The Creative Process;" seven well-known fiber artists were each sent a box of the same materials and were asked to create a work of art using at least a third of the materials in the box. The...
Dates:
1991